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Friday, October 28, 2011
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Thursday, October 27, 2011
Smile Poster
Poster restoration and conservation. The backing of posters with fabric dates back to 19th century France, where posters were occasionally glued to linen for reinforcement. This provided some protection, but with the passage of time the paper continued to become brittle and was frequently torn by stress. Modern backing techniques have eliminated this problem by using an acid free paper between the poster and the fabric. The adhesive used is wheat paste treated to inhibit mold growth.
Railway
Reversibility is a concept that is important in all conservation work, because today's curators and collectors are only temporary custodians of a cultural object (the poster) that will have continuing and timeless interest for future collectors. We strive to make certain that materials and techniques that are applied to the poster are not harmful over time and are reversible to bring it back to the state in which we found it.
Pinup posters , "pinups," or cheesecake posters are pictures of attractive women designed to be displayed, first coming to popularity in the 1920s. The popularity of sexy pin-up girl posters has been erratic in recent decades. Pin-ups such as Betty Grable and Jane Russell were highly popular with soldiers during World War II but much less so during the Vietnam War. The late 1970s and into the beginning of the 1980s were boom years for large posters of television actresses, especially Farrah Fawcett and Cheryl Tiegs.
Restoration can dramatically improve the appearance of a poster. Damage caused by clear adhesive tape, residual stains, water marks and dirt can be easily repaired; combining this with the replacement of lost paper can bring the poster back to virtually its original state.
Railway
Reversibility is a concept that is important in all conservation work, because today's curators and collectors are only temporary custodians of a cultural object (the poster) that will have continuing and timeless interest for future collectors. We strive to make certain that materials and techniques that are applied to the poster are not harmful over time and are reversible to bring it back to the state in which we found it.
Pinup posters , "pinups," or cheesecake posters are pictures of attractive women designed to be displayed, first coming to popularity in the 1920s. The popularity of sexy pin-up girl posters has been erratic in recent decades. Pin-ups such as Betty Grable and Jane Russell were highly popular with soldiers during World War II but much less so during the Vietnam War. The late 1970s and into the beginning of the 1980s were boom years for large posters of television actresses, especially Farrah Fawcett and Cheryl Tiegs.
Restoration can dramatically improve the appearance of a poster. Damage caused by clear adhesive tape, residual stains, water marks and dirt can be easily repaired; combining this with the replacement of lost paper can bring the poster back to virtually its original state.
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Funny Cow
While two-piece bathing suits had been worn on the beach before, the modern bikini was invented by French engineer Louis Réard in 1946. He named it after Bikini Atoll in the Pacific, the site of the Operation Crossroads nuclear weapon tests in July that year.
Predecessors of the bikini date to antiquity, in Çatalhöyük and the Greco-Roman world. Art dating from the Diocletian period (286-305 AD) in Villa Romana del Casale, Sicily depicts women in garments resembling bikinis in mosaics on the floor. The images of ten women, dubbed the "Bikini Girls", exercising in clothing that would pass as bikinis today are the most replicated mosaic among the 37 million colored tiles at the site. Archeological finds, particularly in Pompeii, show the Roman goddess Venus wearing a bikini. A statue of Venus in a bikini was found in a cupboard in the southwest corner in Casa della Venere, others were found in the front hall. A statue of Venus was recovered from the tablinum of the House of Julia Felix, and another from an atrium at the garden at Via Dell'Abbondanza.
The bikini has spawned many stylistic variations. A regular bikini is defined as a two pieces of garments that cover the groin and buttocks at the lower end and the breasts in the upper end. Some bikinis can offer a large amount of coverage, while other bikinis provide only the barest minimum. Topless variants may still be considered bikinis, although technically no longer two-piece swimsuits. Along with a variation in designs, the term bikini was followed by an often hilarious lexicon including the monokini (top part missing), seekini (transparent bikini), tankini (tank top, bikini bottom), camikini (camisole top and bikini bottom) and hikini. Since fashions of different centuries exist beside one another in early 21st century, though it is possible to imagine a woman combining a bikini and a 1910 bathing costume.
Often the women in athletics also wear bikinis, not much larger than in beach volleyball. Amy Acuff, a US high-jumper, wore a black leather bikini instead of a track suit, at Sydney 2000 Summer Olympics. Runner Florence Griffith-Joyner mixed bikini bottoms with one-legged tights in Seoul 1988 Summer Olympics, which earned her more attention than her record breaking in Women's 200 meters. Towns like Porto Seguro in Brazil has become an attraction for beach athletics in bikini for the tourists.
The bikini is perhaps the most popular female beachwear around the globe, according to French fashion historian Olivier Saillard due to "the power of women, and not the power of fashion". As he explains, "The emancipation of swimwear has always been linked to the emancipation of women." By the mid 2000s, bikinis had become a $811 million business annually, according to the NPD Group, a consumer and retail information company. The bikini has boosted spin-off services like bikini waxing and the suntanning industries.
Predecessors of the bikini date to antiquity, in Çatalhöyük and the Greco-Roman world. Art dating from the Diocletian period (286-305 AD) in Villa Romana del Casale, Sicily depicts women in garments resembling bikinis in mosaics on the floor. The images of ten women, dubbed the "Bikini Girls", exercising in clothing that would pass as bikinis today are the most replicated mosaic among the 37 million colored tiles at the site. Archeological finds, particularly in Pompeii, show the Roman goddess Venus wearing a bikini. A statue of Venus in a bikini was found in a cupboard in the southwest corner in Casa della Venere, others were found in the front hall. A statue of Venus was recovered from the tablinum of the House of Julia Felix, and another from an atrium at the garden at Via Dell'Abbondanza.
The bikini has spawned many stylistic variations. A regular bikini is defined as a two pieces of garments that cover the groin and buttocks at the lower end and the breasts in the upper end. Some bikinis can offer a large amount of coverage, while other bikinis provide only the barest minimum. Topless variants may still be considered bikinis, although technically no longer two-piece swimsuits. Along with a variation in designs, the term bikini was followed by an often hilarious lexicon including the monokini (top part missing), seekini (transparent bikini), tankini (tank top, bikini bottom), camikini (camisole top and bikini bottom) and hikini. Since fashions of different centuries exist beside one another in early 21st century, though it is possible to imagine a woman combining a bikini and a 1910 bathing costume.
Often the women in athletics also wear bikinis, not much larger than in beach volleyball. Amy Acuff, a US high-jumper, wore a black leather bikini instead of a track suit, at Sydney 2000 Summer Olympics. Runner Florence Griffith-Joyner mixed bikini bottoms with one-legged tights in Seoul 1988 Summer Olympics, which earned her more attention than her record breaking in Women's 200 meters. Towns like Porto Seguro in Brazil has become an attraction for beach athletics in bikini for the tourists.
The bikini is perhaps the most popular female beachwear around the globe, according to French fashion historian Olivier Saillard due to "the power of women, and not the power of fashion". As he explains, "The emancipation of swimwear has always been linked to the emancipation of women." By the mid 2000s, bikinis had become a $811 million business annually, according to the NPD Group, a consumer and retail information company. The bikini has boosted spin-off services like bikini waxing and the suntanning industries.
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